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“What do dancers think of Fred Astaire? It's no secret. We hate him. He gives us a complex because he's too perfect. His perfection is an absurdity. It's too hard to face.”
Source : "Astaire, the biography". Book by Tim Satchell, 1987.
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“He [Andy Warhol] engaged people and I think all of that is what helped keep him keyed in to the times beyond all of the celebrity stuff that was going on around him. He was much more like a fan than a celebrity himself.”
Source : Source: www.huffingtonpost.com
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“Something in the heart of most human beings simply cannot abide pain inflicted on the innocent, especially children. Even broken men serving in the worst correctional facilities will often first take out their own rage on those who have caused suffering to children. Even in such a world of relative morality, causing harm to a child is still considered absolutely wrong. Period!”
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“Every science touches art at some points—every art has its scientific side; the worst man of science is he who is never an artist, and the worst artist is he who is never a man of science.”
Source : Armand Trousseau (1869). “Lectures on Clinical Medicine, Delivered at the Hotel-Dieu, Paris”, p.40
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“There are many ways you can make money. Certain ways will make you happy, certain other ways will make other people happy. But if you go in because there's money in there, you're bound to fail, bound to fail!”
Source : "Biography/ Personal Quotes". www.imdb.com. 
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“I did try fillers once. Don't ever have fillers because when your cheekbones are high, it's chipmunk time.”
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“Science seldom proceeds in the straightforward logical manner imagined by outsiders. Instead, its steps forward (and sometimes backward) are often very human events in which personalities and cultural traditions play major roles.”
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“A musician cannot move others unless he too is moved. He must of necessity feel all of the affects that he hopes to arouse in his audience, for the revealing of his own humour will stimulate a like humour in the listener.”
Source : "Composers on Music : An Anthology of Composers' Writings from Palestrina to Copland". Book by Sam Morgenstern, p. 60, 1956.
