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“God is preparing His Church to become an invincible, unstoppable, unconquerable, overcoming Army of the Lord that subdues everything under Christ's feet. There will be a sovereign restorational move of God to activate all that is needed for His army to be and do what He had eternally purposed.”
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“The only time you'll ever have is now.”
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“A poem is like a person. The more you know someone, the more you realize there is always something more to know and understand. A final understanding could probably only begin upon permanent separation, or death. This is why we come back to certain poems, as we do to places or people, to experience and re-experience, to see ourselves for who we truly are, and to continue to be changed.”
Source : Source: www.guernicamag.com
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“Nonresistance, nonjudgment, and nonattachment are the three aspects of true freedom and enlightened living.”
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“I can't watch other people doing comedy. As soon as somebody starts being funny I have to turn off because it upsets me. I get comedy indigestion. I just hate anybody else being funny. That's my job.”
Source : "A funny five minutes with Jenny Eclair". Interview with Mirror.uk, www.mirror.co.uk. May 2, 2010. 
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“The artist is a collector of things imaginary or real. He accumulates things with the same enthusiasm that a little boy stuffs his pockets. The scrap heap and the museum are embraced with equal curiosity. He takes snapshots, makes notes and records impressions on tablecloths or newspapers, on backs of envelopes or matchbooks. Why one thing and not another is part of the mystery, but he is omnivorous.”
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“Baseball represents family. It represents my childhood.”
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“She left me then, surrounded by my extravagantly simple finery and I sat for a long time, uncomfortable both with the person I had been and the person I was finally becoming. Caught between the two of them, I felt rather lonely, as one often does with a new acquaintance.”
Source : Deanna Raybourn (2016). “Deanna Raybourn Lady Julia Grey Volume 1: Silent in the Grave\Silent in the Sanctuary\Silent on the Moor”, p.156, MIRA
