All GEORGE SAUNDERS Quotes about “Feelings”

“The generalizing writer is like the passionate drunk, stumbling into your house mumbling: I know I'm not being clear, exactly, but don't you kind of feel what I'm feeling?”
“I don't think much new ever happens. Most of us spend our days the same way people spent their days in the year 1000: walking around smiling, trying to earn enough to eat, while neurotically doing these little self-proofs in our head about how much better we are than these other slobs, while simultaneously, in another part of our brain, secretly feeling woefully inadequate to these smarter, more beautiful people.”
“I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.”
“I'm turning 58, and you get that kind of weird, old-guy feeling of you don't have an infinite number of years left and if there's anything you want to say or represent, it's time to try it.”
“There's also a way that you have of being precise but also allusive, that works well for me - it's something about the open-hearted way you frame your queries. Instead of feeling daunted or discouraged, I feel excited to give whatever it is a try. This takes a lot of editorial wisdom and confidence - to know just how to get the writer to take that extra chance.”
“I love the feeling of being on the hunt - the feeling that the story is refusing to be solved in some lesser way and is insisting that you see it on its highest terms.”
“I attended Catholic school. We received a great education from the nuns. ... Also, guilt. Guilt and a feeling of never being satisfied with what you've done. And a sense that you are inadequate and a big phony. All useful for a writer. I'm always being edited by my inner nun.”
“You don't want to spend your life writing about stuff that doesn't matter. You want to try to pull out of the temporal mediocre and write in a way that is meaningful to everybody. This goes back to this idea of being intimate with your reader. Since we're all down here and we're all dying and aspiring and loving and feeling inadequate, all these things that we all are doing all the time, what a relief it is, when somebody looks at you and says, "Yeah, me too."”
“I've also found that trying to be active with social media changes my moment-to-moment perceptions. Instead of feeling, "What's the deepest version of what's happening here?" I start to feel, "How can I use [or "claim"] this?".”

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